[ This is very deliberate - the choice of using the voice function, not saying anything to that post on the network (because it's so so familiar, achingly so, but what if), and now, keeping what he says short and in a carefully guarded tone: ]
[Whatever she's been doing, whatever she's been thinking, her entire world (or whatever she's managed to make of it)... it all grinds to a complete halt when she gets this.
She'd know this voice anywhere. She knows it almost better than she knows her own reflection, or the draw weight on her bow. It's the same one that haunts her every single night, and many times during the day, as she relives the same moments over and over in her mind. Those last few precious moments before the confusion and the resulting aftermath, when she could've done something different. Should have done something different. If she had, he wouldn't have...--
But she can't be hearing this voice. It's physically impossible to be hearing this voice. He's not here. He can't be here. The possibility of it is enough to send her thoughts down a jumbled spiral, and merits the use of the mental checklist to keep from losing herself to it.
My name is Katniss Everdeen. I'm seventeen years old. My home is District 12. There is no District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He's a traitor, but I demanded his immunity. I'm keeping him alive. I have to keep him alive....
Yet even facts, even what she knows has to be true for the sake of maintaining what little shred of sanity she has left, are useless against the feelings she can't shake. The part of her that's practically screaming what if. The part of her that has to confirm, no matter how crazy or unreal it is.
So, quietly, with a voice that's small, oh so small, she ventures.]
[ That tone is enough to undo him; it's everything he hates, whatever would make a person feel that way - would make Katniss, the strongest person he knows, feel that way. But of course, the Capitol is sneaky. The Capitol is clever. The Capitol knows how to steal peoples' voices and use them, twist them, as all of the tributes saw in the Quarter Quell. As all of Panem saw, of course.
As a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol.
No, maybe the strongest among them couldn't - there's him, Johanna, and whoever else was picked up to attest to that. But there's also Katniss, the mockingjay who survived not once but twice, living proof that the strongest among the rebels can still give the Capitol a slap in the face. Not without retaliation, no, but there's a certain pleasure in knowing that she's out there somewhere beyond their reach - as she must be, because he's not so naive as to think he'd be kept alive if she weren't, not with his complete inability to tell them anything of the rebellion and face not so loved as hers among the people. He's certainly not so naive as to think he'd be used against Haymitch, who proved so spectacularly that he only plays for his own side. His family is nothing to the Capitol. So - it's clear.
He may be a lot of things, but Peeta Mellark is a Victor of the Seventy-fourth Hunger Games, and that means he too knows how to survive. There's nothing but relentlessness when he speaks, almost harsh. ]
[For everything that's familiar about that voice, there's something that distinctly isn't. Maybe she'd picked up a hint of it initially, but in her shock and her need to confirm, it could've easily become lost under other priorities. But now it's unavoidable. It pierces her like a spear, stings her in a way that almost nothing ever has, in a way that hurts so much it can't be anything but real.
Harshness.
This isn't right. Not directed at her, at any rate. It should be the steady gentleness she knows best, the kind of steadiness she could hold onto when there was nothing else. What managed to keep her nightmares at bay those nights on the train and those nights before the Quell. What she hasn't had in what seems like so long.
(What she needs.)
A breath becomes stuck in her throat, making it even harder to think, to work through this with facts and treat it like the hallucination it probably is, much less to speak. It takes a few long moments before she's able to choke out another equally quiet response.]
[Around the sixteenth of November, Friday. Noontime? An appropriate time, but as it turns out, not the right time, because Katniss is there. Not that Kanaya knows this. Not that Katniss knows it's Kanaya who doesn't know this. All she'll here is a knock.
Then two more knocks.
The girl's voice is like the chainsaw she wields: Sharp and clean. It makes no mistakes about phoneme selection, ever. Kay-script ay-rotated are-kay-ash-tee, never forget to make those crisp.]
[The first knock is easy enough to ignore. Katniss, after all, has no problem ignoring things, even when they're written on her arm. And besides, she has other things to preoccupy her, things that no form of distraction could ease.
But then there's the second.
And the third.
And the fourth.
Each one more annoying, more grating than the last. As if someone is holding a chalkboard right next to her ear and scraping their nails down it louder and louder as the seconds drag on.
Finally, it gets to the point where she's so irrevocably annoyed that she's forced to stomp over there and open the door. (Or more like jerk it open, given her current state.)]
[She tilts her head to the side, as she glows bright white with a flickering edge. This would be even more elaborate "Capitolian costuming" than Karkat employed. By comparison the jade lipstick, matching eyelashes, and pair of fangs are almost unnotable.
Her lips purse, and the grey insides of her open mouth are less likely but match Karkat. Her eyes don't - they're bright yellow, and narrow in suspicion. She doesn't exactly feel trust emenating from the human girl in waves, nor does she have reason to believe her morality isn't human - and that scares her. The prospect of Karkat living with someone like that.]
Well, would you tell him Kanaya was here; Miss...? [She has to at least ask. Karkat is her friend, and she has to make sure he's safe. Has to know what could threaten him.]
[It's startling, definitely. Although startling might be an understatement; terrifying could be a little more accurate. Suddenly, she's feeling threatened, vulnerable by not bringing her bow, or anything to defend herself with, to the door with her. (It didn't occur to her while stomping around in her annoyed rage.)
But she's not going to let that show outwardly. Instead, all she'll allow is a slightly narrowed gaze that doesn't exactly invite friendliness, and a cold, flat voice when she speaks.]
Katniss. [Yes, this is all she's going to provide.]
[In all honesty, that post has left Katniss a little rattled. More than she'd ever let on. So when this comes through, she can't immediately place the source of the voice, and feels an anger start to rise. It doesn't completely go away when the memory of the boy she'd met just before she found Rue finally occurs to her.
After some time (in a voice that sounds somewhat on the flat side of wary):]
He's lost. Still doesn't answer her question, though. If he's lost, why does he contact her, of all people? After all, they barely even know each other.
She lets out a sigh.]
There's no one else around to help? [She kind of doubts that.]
( it's been a few days since the spaceship crash, marked both by disappearances and arrivals. ahiru and a few others are gone, but gil's here, and so is of all people glen baskerville, and if that isn't alarming - terrifying, worrisome, all the worse in some ways because he is being neutral and stoic and almost friendly and nothing like a man who could casually send a city full of people to their deaths - well. he's inclined to distance these days, wanting to protect or at least not hurt by his very presence, like has happened far too much already, but there's little use when nothing's happened. funny how he was almost comforted by leo's presence less than a day after he allowed jabberwock to nearly kill him along with the initiative member, but a placid glen baskerville keeps him on edge.
two of jabberwock in the city, even, and he's not afraid and he doesn't think black wings can reach the abyss here, but that doesn't guarantee anything. the baskervilles, the girl at the academy had said, were ordered to kill everyone, and that'd been by chains or more mundane methods.
they're the only two baskervilles in the city - but that can change.
in any case, he owes an apology. )
Katniss? ( he hesitates, then considers the possibility she may not answer at all and hurries on: ) I'm sorry about the other day.
[Maybe things had turned out all right, relatively, after the spaceship crash. No one had been hurt, despite how bad things had looked from the outside. The housing reassignments aren't objectionable either; rather than having to share living space with complete strangers, she can keep a better eye on the two people she needs to the most.
But there's one thing that's not all right today. And that thing is this: Oz calling her up like this, offering her the weakest apology possible.
There isn't much to do right now, really, when your foot's broken and you're supposed to stay off of it, so she has her tablet nearby; her response is relatively prompt. She may have more than enough experience with drunk people to last a lifetime, but for now, she doesn't suspect a thing in the world.
( "Stuff with Steph" might be a thing Katniss has heard before, when Ellie has decided she doesn't want to be in her unit. When stuff with Steph is good, it's amazing. And when it's less bad, they're a pair of girls that struggle to deal with things well and need space to think. )
She died a lot.
( There. That might just have the slightest waver in it, but if it's just because it's upsetting or because she's been drinking, she's not sure. )
[Maybe she'd finally managed to avoid Effie's existence just long enough to convince herself that she isn't actually here. That's how she gets through the day, really; she avoids everyone from Panem as much as she possibly can. (Which is a more difficult task in some cases rather than others.)
So a message about Effie is about the last thing she wants to receive.
She switches it to voice almost immediately. Text isn't something she has the patience for on the best of days, and it definitely isn't something she has the patience for now.]
Like what? [Because that's not very specific. Effie has a different look for practically every hour of the day.]
voice;
I'm only going to ask this once: who are you?
voice;
She'd know this voice anywhere. She knows it almost better than she knows her own reflection, or the draw weight on her bow. It's the same one that haunts her every single night, and many times during the day, as she relives the same moments over and over in her mind. Those last few precious moments before the confusion and the resulting aftermath, when she could've done something different. Should have done something different. If she had, he wouldn't have...--
But she can't be hearing this voice. It's physically impossible to be hearing this voice. He's not here. He can't be here. The possibility of it is enough to send her thoughts down a jumbled spiral, and merits the use of the mental checklist to keep from losing herself to it.
My name is Katniss Everdeen. I'm seventeen years old. My home is District 12. There is no District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He's a traitor, but I demanded his immunity. I'm keeping him alive. I have to keep him alive....
Yet even facts, even what she knows has to be true for the sake of maintaining what little shred of sanity she has left, are useless against the feelings she can't shake. The part of her that's practically screaming what if. The part of her that has to confirm, no matter how crazy or unreal it is.
So, quietly, with a voice that's small, oh so small, she ventures.]
Peeta?
voice;
As a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol.
No, maybe the strongest among them couldn't - there's him, Johanna, and whoever else was picked up to attest to that. But there's also Katniss, the mockingjay who survived not once but twice, living proof that the strongest among the rebels can still give the Capitol a slap in the face. Not without retaliation, no, but there's a certain pleasure in knowing that she's out there somewhere beyond their reach - as she must be, because he's not so naive as to think he'd be kept alive if she weren't, not with his complete inability to tell them anything of the rebellion and face not so loved as hers among the people. He's certainly not so naive as to think he'd be used against Haymitch, who proved so spectacularly that he only plays for his own side. His family is nothing to the Capitol. So - it's clear.
He may be a lot of things, but Peeta Mellark is a Victor of the Seventy-fourth Hunger Games, and that means he too knows how to survive. There's nothing but relentlessness when he speaks, almost harsh. ]
That's not an answer.
voice;
Harshness.
This isn't right. Not directed at her, at any rate. It should be the steady gentleness she knows best, the kind of steadiness she could hold onto when there was nothing else. What managed to keep her nightmares at bay those nights on the train and those nights before the Quell. What she hasn't had in what seems like so long.
(What she needs.)
A breath becomes stuck in her throat, making it even harder to think, to work through this with facts and treat it like the hallucination it probably is, much less to speak. It takes a few long moments before she's able to choke out another equally quiet response.]
It's me.
voice;
voice;
voice;
voice;
voice;
voice;
voice;
voice;
voice;
action!
action!
action! also wow sorry i am slowy mcslowpants
HAHA I'M SLOWER
NO I'M SLOWEST
[Permaction]
Then two more knocks.
The girl's voice is like the chainsaw she wields: Sharp and clean. It makes no mistakes about phoneme selection, ever. Kay-script ay-rotated are-kay-ash-tee, never forget to make those crisp.]
Karkat.
[Knock knock knock.]
[Permaction]
But then there's the second.
And the third.
And the fourth.
Each one more annoying, more grating than the last. As if someone is holding a chalkboard right next to her ear and scraping their nails down it louder and louder as the seconds drag on.
Finally, it gets to the point where she's so irrevocably annoyed that she's forced to stomp over there and open the door. (Or more like jerk it open, given her current state.)]
He's not here.
[Permaction]
Her lips purse, and the grey insides of her open mouth are less likely but match Karkat. Her eyes don't - they're bright yellow, and narrow in suspicion. She doesn't exactly feel trust emenating from the human girl in waves, nor does she have reason to believe her morality isn't human - and that scares her. The prospect of Karkat living with someone like that.]
Well, would you tell him Kanaya was here; Miss...? [She has to at least ask. Karkat is her friend, and she has to make sure he's safe. Has to know what could threaten him.]
[Permaction]
But she's not going to let that show outwardly. Instead, all she'll allow is a slightly narrowed gaze that doesn't exactly invite friendliness, and a cold, flat voice when she speaks.]
Katniss. [Yes, this is all she's going to provide.]
GOD GIRLS... CHILL WHY DON'T YOU
LMFAO SERIOUSLY
IF ONE OF THEM TWITCHED THEY MIGHT JUST BOTH GO FOR THE JUGULAR
voice; dated to not long after the rita skeeter post
voice;
After some time (in a voice that sounds somewhat on the flat side of wary):]
Why?
1/2
no subject
no subject
He's lost. Still doesn't answer her question, though. If he's lost, why does he contact her, of all people? After all, they barely even know each other.
She lets out a sigh.]
There's no one else around to help? [She kind of doubts that.]
(no subject)
(no subject)
VIDEO;
(no subject)
(no subject)
(no subject)
(no subject)
---> action
(no subject)
voice;
two of jabberwock in the city, even, and he's not afraid and he doesn't think black wings can reach the abyss here, but that doesn't guarantee anything. the baskervilles, the girl at the academy had said, were ordered to kill everyone, and that'd been by chains or more mundane methods.
they're the only two baskervilles in the city - but that can change.
in any case, he owes an apology. )
Katniss? ( he hesitates, then considers the possibility she may not answer at all and hurries on: ) I'm sorry about the other day.
voice;
But there's one thing that's not all right today. And that thing is this: Oz calling her up like this, offering her the weakest apology possible.
So.
CLICKETY CLICK BYE]
voice; 1/3?
voice;
there's basically no way this wasn't going to happen. )
voice; wait i lied
redialing.... )
voice; DONE
( okay now if she hangs up on him he did his part.
and he basically still deserves it, let's be real. )
voice; BRAVO
voice;
voice;
voice;
voice;
voice;
voice;
voice;
voice (backdated to around the time of collette's post)
and technically that was true, because there are other people here. So. Good. )
Uh, Katniss?
( Sound sober. Sound sober. Sound sober. ) Can I stay at yours, tonight?
voice o/!
There isn't much to do right now, really, when your foot's broken and you're supposed to stay off of it, so she has her tablet nearby; her response is relatively prompt. She may have more than enough experience with drunk people to last a lifetime, but for now, she doesn't suspect a thing in the world.
For now.]
What happened?
eternallyvoice (the new fragrance by rp)
( "Stuff with Steph" might be a thing Katniss has heard before, when Ellie has decided she doesn't want to be in her unit. When stuff with Steph is good, it's amazing. And when it's less bad, they're a pair of girls that struggle to deal with things well and need space to think. )
She died a lot.
( There. That might just have the slightest waver in it, but if it's just because it's upsetting or because she's been drinking, she's not sure. )
(not to be confused with infinivoice, the companion product!)
I wonder what those would smell like...
something awesome tbh
text, backdated to the 13th;
voice;
So a message about Effie is about the last thing she wants to receive.
She switches it to voice almost immediately. Text isn't something she has the patience for on the best of days, and it definitely isn't something she has the patience for now.]
Like what? [Because that's not very specific. Effie has a different look for practically every hour of the day.]
voice;
Or it might not.
Saul clears his throat.]
Sporting the "fresh out of the clown college on Fifth Avenue" look?
[we'll take "references katniss won't understand" for $600, alex]